ARCHIVE December2015
Medieval and Renaissance Polyphony
In Medieval and Renaissance Polyphony falsetto singing played an important part, probably long before the technique was specifically described. Jerome of Moravia’s 13th-century treatise Discantus positio vulgaris mentions three voice registers: vox […]
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Pescespada Mediterraneo
Il pescespada del Mediterraneo è un pesce azzurro dal sapore abbastanza forte, basta però trovare la ricetta giusta per cucinarlo e renderlo molto delicato. Quella che vi propongo di seguito, fidatevi lo […]
Singing, In Style, Renaissance Vocal Music
Renaissance vocal music does not seem to be an integral and faithful derivation of polymnia, but rather appears to have progressed logically out of the medieval trends. More evolutionary than revolutionary, the […]
Clemens: Ego flos campi!
Jacobus Clemens Non Papa’s Marian motet ‘Ego flos campi’ (I am the flower of the field) can confidently be dated to autumn 1550. Clemens was employed for a few months during the autumn of […]
Performance Practice of the Renaissance Music
Basic Assumptions Not only one way to perform music of this period; much freedom is allowed. Little or no distinction is found between instrumental and vocal styles; they are usually interchangeable. Need […]
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English Language / Tecnica
Singing, In Style, Renaissance Vocal Music
Interviews
Colin Mawby and his World
English Language / Opinioni
The Lady in Black
English Language / Interviews
Romuald Twardowski: When the new and the old become original
English Language / Interviews
The True History of the Vespers of the Blessed Virgin by Alessandro Grandi
English Language / Technique
The Tempo in the Choral Music of the XVI Century
English Language / Interviews
Tõnu Kaljuste at the mirror